Known for her intensely visceral, often autobiographical works, from figurative paintings like Is Nothing Sacred (2023) to “unsanitary” installations—her 1999 My Bed, made up of everyday detritus, was shortlisted for the Turner Prize—British artist Tracey Emin’s career traces a winding evolution, mirroring life’s inconsistencies, triumphs, and tragedies. Spanning a wide scope of media and subjects […]